Showing posts with label the. Show all posts
Showing posts with label the. Show all posts

Friday, March 7, 2014

The Different Landscaping Designs To Make Your Home Attractive!


There is no better place than a nice home with attractive Landscaping Designs in all corners of the surrounding areas. All people value beauty and we appreciate all works of art, either nature or manmade. Some home owners develop their places in order to attract potential buyers, since a landscape is an additional value of the house itself. On the other hand, some home owners made it their hobby and a form of leisure time to plant flowers and maintain their lawns.

There are a million and one ways to develop an area, since each one of us have different preferences when it comes to Landscaping Designs. But diverse as they may seem, all landscapes must conform to a few things. For one, a good landscape has a center point which is the highlight of the whole landscape design. This focal point is special among all other landscape elements and it should draw the visitors attention. It could range from a small and simple garden bench to a huge and intricate statue. The basic rule for this is "small objects for small landscape and big objects for big landscape". And even if it should stand among all others, it still has to conform to the whole Landscaping design whether to the form, size or color.
The shapes to be used in the whole landscape are also crucial to Landscaping Designs. Too much use of a shape and too many kinds of shapes are not good because it will only make your design chaotic or disorganized. Another thing is the color, which is primarily either warm color or cool colors. Warm colors like red and yellow promote a warm feeling such as excitement. Meanwhile, cool colors like purple and blue will encourage relaxing feelings. Still other important things about Landscaping Designs are the plants to be used. You must know the full size of the plants, their life span, and how fast they will grow. And in order to add life to your landscape, choose plants that will attract butterflies and birds. Aside from that, movement is also important to be integrated in your design. You can do this by adding forms of life such as fishes in a pond, and plants that sway with the blow of the wind.

There are still other Landscaping Designs that you should learn so that you will gain ideas in Landscaping your place. If you want, you can let professional landscapers to do the Landscaping services that you need.

If you are looking for a satisfactory Landscaping services, Landscapers Cardiff is what you are looking for! They offer services in a high quality and at an affordable price. Have you place improved with their expertise and complete tools.
Read More..

Wednesday, March 5, 2014

Were in The New York Times!

The duck blind in our border garden.

Wouldn’t you know it: the one garden I designed that Im sheepish to show even to my friends is the one that gets featured in The New York Times. Ah well, Ill have to have a word with my PR department . . .

Today our garden is featured in The New York Times Home section. The story is about our garden: how we started it with little money (and even less design) while renovating a very dilapidated house (still in process); how it’s different than what we design in our landscape architecture firm; and how we live in it. My wife and I were fortunate to spend a Sunday in late September with The New York Times feature writer Michael Tortorello.  Michael is funny, warm, and wickedly smart in a casual kind of way. His articles are one of the reasons the Times Home section is such a compelling read. His range is vast, from the ecology of vacant lots, to what happens when trees go dormant, to great human stories such as this recent one of James Golden. His focus on the way real people live and work with real spaces is always refreshing. 

The wonderful images were taken by DC based photographer Darren Higgins. Darren spent most of a day with us, hanging off our roof, clinging to a ladder in the middle of the street—all while narrowly dodging traffic. Considering the garden is surrounded on three sides by ugly roads and one side by our ugly house, Darren did a lovely job telling a story with a not so promising site.

While I love to read the real story of other peoples gardens, I tried my best to distract Michael from our garden. Lots of lofty talk on the meaning of gardens . . . but it was all to no avail.  Anyway, please check out Michaels excellent piece on our garden in todays New York Times. 

Our deepest thanks to Michael, Darren, and the editors of The New York Times. It was a pleasure to entertain and work with this amazing bunch of professionals.

One minor post-publication quibble: The print edition of the Times refers to me in two bylines as a "horticulturist." I am, in fact, a licensed landscape architect. I have many friends and colleagues who are indeed professional horticulturists. I dont do what they do, and they dont do what I do. Though both professions deal with plants to a degree, they are two entirely different professions.
Read More..

Knock Out Rose A New Favorite in the Garden

Knock Out Rose Double Pink
There is a new addition to my gardens this year-the Knock Out Rose.  Developed by Wisconsin rose breeder William Radler in 2000, Knock Out Rose is hardy to USDA zone 5 and has a bloom cycle that starts in spring and lasts well into frost. 


Knock Out Roses grow to 3-4 feet high by wide and should be grown in full sun in a well-drained soil.   Knock Out Rose do not require any special care but can be pruned in early spring after the threat of frost is gone to keep them full.  They do not require deadheading but if desired you can remove spent blooms to encourage more blooms. They are the most disease resistant roses on the market and are not susceptible to black-spot fungal disease.  They are virtually "care-free".


Knock Out Rose Double Red
I have always loved roses and have wanted roses in my garden for years but did not want the maintenance of a regular rose.  These are wonderful and I am already getting so much enjoyment from them.  If you want a rose that is carefree, disease-resistant and that blooms all summer then this is the beauty for you!  There is an added plus-it is also deer-resistant. 

After 20 years in the making the first introduction of Knock Out Rose was the Red Knock Out in 2000.  After that in 2004, Blushing (light pink) and Pink (deep pink) were introduced.  In 2005 Double Red Knock Out came about and then in 2007, Rainbow Knock Out (pink/yellow center) and Sunny Knock Out (yellow) were brought into the market. 


I introduced three double pink Knock-Outs into my gardens in Mid-May and just added three Double Reds.   They are in full bloom and are the first shrub I go to when walking out into the garden.  Each day there are more and more blooms to look forward to.  I am already looking for a place to put the yellow variety.   These are truly a winner and after all these years there are finally roses in this designers garden.


Happy Gardening!


Author:  Lee@ A Guide To Northeastern Gardening Copyright 2011




Read More..

Tuesday, March 4, 2014

Groundbreakers The New Traditionalists

The first of the Groundbreakers honorees goes to the inheritors of the European formal garden tradition. The family firm of Wirtz International, led by father Jacques Wirtz with sons Peter and Martin, has revolutionized traditional garden design. The Belgian landscape architecture firm has redefined the formality of the Italian Renaissance and French classical gardens by imbuing those traditions with a modern understanding of space crafted through sculptural whimsy.


Jacques Wirtz started his practice in 1950 designing and maintaining small gardens. Wirtz studied horticulture and landscape architecture, but it was his years in the field maintaining local gardens that gave him his virtuoso skill as a craftsman. At 79, Wirtz has the characteristic humility and reticence of a master craftsman. Son Peter Wirtz explains, My father is such a natural talent that he doesnt always articulate what makes him do things. British garden writer and biographer Patrick Taylor adds: Hes not a good quote person. Hes more interested in the eternal verities.

Perhaps it is this meekness that attracts such an elusive clientele. His clients include celebrities like Valentino and Catherine Deneuve, the Belgian royal family, and former French president Francois Mitterrand. Even his books are discreet, numbering gardens rather than referring to them by name. The firm now works at an international scale. In addition to Europe, Wirtz International has designed gardens in California, New Jersey, and Florida, as well as Japan.


The most iconic aspect of the Wirtz style is his unconventional and sculptural use of clipped hedges. When Wirtz moved into his current house, he inherited a row of overgrown boxwoods that lined a walk. Too spindly to be trimmed into a rectilinear form, Wirtz followed the natural contours of the branching, creating a pillowy, cloud-like effect. It is this attention to natural form that gives Wirtz’s work its creative edge.


We love structure,” said Peter Wirtz, “we love to feel firmness. Perhaps it’s the firmness of their work that challenges me as a designer and a gardener. Each time I look at their work, I have the same thought: my garden efforts are too small and too timid. But I’m invigorated by the clarity of these gardens. There is no ambiguity about control, no illusions of naturalism. Every effort by the designer is not intended to blur their interventions—like Olmsted in Central Park or Capability Brown at Blenheim—but to declare them. It adds an authenticity to their designs.

For me these gardens are about control. There is nothing subtle in the Wirtzes’ manipulation of earth and plants. The gardens flaunt control. They bend and shape plants like metal. They flatten the earth. They cut deep lines into the ground. The pageantry of power shown in these gardens both horrifies and delights me. For the Wirtzes, control and geometry are not about a display of power and wealth, but an expression of modern space. The strength of their forms creates beautiful volumes that hold light and air. This architectural touch to garden-making gives him “a great power to evoke space,” says Spanish landscape architect Fernando Caruncho. The Wirtzes are masters of using space to produce mystery. One room unfolds into the next; the result is surprising and whimsical.

The real story of these gardens is not the heroic moment of creation, but their perseverance over time. The Wirtz gardens require so much clipping, trimming, edging, and mowing. In these gardens, maintenance shares equal weight with the initial act of creation. Though I’ve never seen their gardens at initial installation, I would imagine they are a bit messy: small unshaped shrubs tightly packed together, lumpy forms waiting to take their shape. Their gardens emerge through time. The gardeners with the hand clippers are as much the hero as the designer with the pen. It is a reminder to me that gardens are never a single act of creation, but a constant act of recreation and renewal through the acts (vita activa) of gardening.




Last photo by Wirtz International.  Some of the information from this article was sourced from The New York Times article "The Constant Gardener" by Pilar Viladas
Read More..

The Most Important Landscape Book Since McHargs Design with Nature


I rarely write book reviews, but I am making an exception for a remarkable new book.

Principles of Ecological Landscape Design, written by Travis Beck and published by Island Press, is the first attempt to write a comprehensive text addressing how ecology can and should inform the design of landscapes and gardens.  This may be the most important landscape book since Ian McHarg’s groundbreaking work, Design with Nature, pioneered the concept of ecological planning.

Most ecologically-based designers rely on a handful of truisms to guide their designs: use natives; right plant, right place; consider biodiversity.   But when it comes to actually selecting plants, one quickly realizes that eco-slogans provide few answers to complex questions.  How many different species should we include, and in what proportions?  Do you mass plants, or mix them?  And how should different species be mixed?  What happens when the plants start to compete with each other?  How do you maintain a designed community to encourage the right outcomes?  How do we measure success?

Travis Beck’s book delivers answers.  The book’s scope is sprawling.  Each chapter could itself be its on book.  It covers biogeography and plant selection, assembling plant communities, competition and coexistence, designing ecosystems, materials cycling and soil ecology, plant-animal interactions, biodiversity and stability, disturbance and succession, landscape ecology, and global change.  But this very broadness of scope is the book’s strength.  Beck gives us a survey of the last fifty years of ecological research and boils it down in an accessible language for the designer.

This book could be the defining textbook for ecological planting.  As more landscape architects and designers seek information about how to design sustainable landscapes, Beck’s book will be an invaluable resource.  If you are a designer and are interested in getting beyond greenwashing, Beck’s book provides principles, strategies, and detailed instructions.   

I will be including an interview with Travis in an upcoming post.  Stay tuned!
Read More..